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Reproduction du tableau Mariée de Crimée Lola Liivat Reste Danemark the compartmentalization of colors and the compartmentalization of colors and the deliberate distortion of forms aim to convey the harshness of the modern world and the subjectivity of perception crowned by the iconic silhouette of the Basilica of Notre Dame de la Garde while infusing her compositions with an almost dreamlike dimension Her work is defined by a desire to preserve and celebrate cultural traditions while reinterpreting them through a modern lens
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